When the last day of school comes for a group of students in a philosophy class, their instructor, Mr. Zimit, challenges them to different sorts of exercises that take place in a post-nuclear apocalyptic world. While there, they each get chosen professions and have to decide whether who is valuable or not because the bunker they will be staying in for a year has only enough oxygen for 10 people. Mr. Zimit challenges them in different rounds to see how they could survive. Issues arise when they notice Mr. Zimit is disruptive to the game.

Montreal, the future. Elderly jazz musician Jacob Obus (Jacques Languirand) still draws in audiences with his mesmerizing performances, playing instruments based on female models, designed by his much younger pal Arthur (Paul Ahmarani). The latest model, intriguing artist Avril (Caroline Dhavernas), entices both Arthur and Jacob. In the resulting love triangle, the old musician is ultimately victorious and appears to be in love for the first time in his life. But then Avril is accidentally transported to Mars, where the first manned mission just happened to land. Enter Eugène Spaak (Robert Lepage), inventor, cosmologist and Arthur’s father, who unveils a new theory about man’s desire to reach Mars and helps Jacob find the true meaning of life and love.

Allegra Geller, the leading game designer in the world, is testing her new virtual reality game, eXistenZ with a focus group. As they begin, she is attacked by a fanatic assassin employing a bizarre organic gun. She flees with a young marketing trainee, Ted Pikul, who is suddenly assigned as her bodyguard. Unfortunately, her pod, an organic gaming device that contains the only copy of the eXistenZ game program, is damaged. To inspect it, she talks Ted into accepting a gameport in his own body so he can play the game with her. The events leading up to this, and the resulting game lead the pair on a strange adventure where reality and their actions are impossible to determine from either their own or the game’s perspective.

Tuesday, June 4, 1968: the California Presidential primary. As day breaks, Robert F. Kennedy arrives at the Ambassador Hotel. He’ll campaign, then speak to supporters at midnight. To capture the texture of the late 1960s, we see vignettes at the hotel: a couple marries so he can avoid Vietnam, kitchen staff discuss race and baseball, a man cheats on his wife, another is fired for racism, a retired hotel doorman plays chess in the lobby with an old friend, a campaign strategist’s wife needs a pair of black shoes, two campaign staff trip on LSD, a lounge singer is on the downhill slide. Through it all, we see and hear R.F.K. calling for a better society and a better nation.

Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury. Freddie defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound. They reach unparalleled success, but in an unexpected turn Freddie, surrounded by darker influences, shuns Queen in pursuit of his solo career. Having suffered greatly without the collaboration of Queen, Freddie manages to reunite with his bandmates just in time for Live Aid. While bravely facing a recent AIDS diagnosis, Freddie leads the band in one of the greatest performances in the history of rock music. Queen cements a legacy that continues to inspire outsiders, dreamers and music lovers to this day.

It’s a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the “good people” who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to steal what they have managed to scavenge for their own survival, but may kill them as food. Although life with his father in this world is all the boy has known, he may come to his own thoughts as to what it means holistically to be one of the good or one of the bad. Meanwhile, the man occasionally has thoughts to happier times with his wife/the boy’s mother before the apocalypse, as well as not as happy times with her after the apocalypse and the reason she is no longer with them.

Marc (Tom Hughes) is diagnosed with a disease and is given one year left to live. Unable to accept his own end, he decides to freeze his body. Sixty years later, in the year 2084, he becomes the first man to be revived in history. It is then he discovers that the love of his life, Naomi (Oona Chaplin), has accompanied him this entire time in a way that he’d never expected.

A hard-working lawyer, attached to his cell phone, can’t find the time to communicate with his family. A couple is drawn into a dangerous situation when their secrets are exposed online. A widowed ex-cop struggles to raise a mischievous son who cyber-bullies a classmate. An ambitious journalist sees a career-making story in a teen that performs on an adult-only site. They are strangers, neighbors and colleagues and their stories collide in this riveting dramatic thriller about ordinary people struggling to connect in today’s wired world.

When one-eyed high school senior Matt meets 250 lb Jill, he falls more in love than he ever thought possible. However, when graduation comes and Jill moves cross-country to go to college, she then loses over 50 lbs - much to Matt’s surprise when he arrives to visit her. While Matt struggles to accept Jill’s new body, Jill begins to question whether Matt is really the man she wants to date. As the distance widens between them, the characters are propelled onto a collision course with brutality and loss, forcing them to confront who they are, who they were, and who everyone thinks they’re supposed to be.

During a holiday in Switzerland, a young Chris Nielsen meets Annie Collins in a lake when their boats collide. Sharing a snack a few hours later, Chris and Annie fall in love. Marrying quickly, Chris works as pediatrician and Annie as artist painter and art dealer, and have two children, Ian and Marie. But their happy family life torn apart when Ian and Marie are in a car accident that kills them both and the nanny who was driving. Four years later, Chris and Annie try to restore their life despite the tragedy and celebrate their anniversary. When returning that night, Chris witnesses a car accident, after exiting the car in an attempt to help people, another car crashes into him, fatally hurting him. As he is dying in the hospital, Chris turns into a ghost in an attempt to tell Annie that he still exists and loves her, but his efforts cause more pain, and he decides to leave. Traveling Afterlife, Chris wakes up in Heaven, where he meets Albert Lewis, his former mentor. While Albert helps Chris to adapt to his new existence in Heaven. Annie falls into a deeper depression, tormented by the reminder of her husband and children. Unable to resist the suffering, Annie commits suicide, and Albert returns to Chris to explain him Annie’s death. Determined to save Annie, Chris decides to travel to Hell to find her. As the travel advances, Chris’ memories of his life with Ian and Annie put the mission in danger, making it harder to connect with Annie. Making a discovery about Albert’s true identity, The Tracker splits them. But when they find her, Chris’ memories of his life with Annie will make Chris question the success of the travel, having to make a decision that can change everything forever.

The true story of Desmond T. Doss, the conscientious objector who, at the Battle of Okinawa, was awarded the Medal of Honor for his incredible bravery and regard for his fellow soldiers. We see his upbringing and how this shaped his views, especially his religious view and anti-killing stance. We see Doss’s trials and tribulations after enlisting in the US Army and trying to become a medic. Finally, we see the hell on Earth that was Hacksaw Ridge.

In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York’s Gypsy Punk band Gogol Bordello. Captivated by his energy and his musical verve, and desperate to get to know him better, she decided to make a film about him. The Pied Piper of Hutzovina follows Eugene and Pavla on their subsequent road trip through Eugene’s home country, Ukraine. It is the story of two people traveling together on two very different courses. Her aim is to rediscover a forgotten romance; his is to rediscover his roots. She hopes to find love on the road; he hopes to find musical inspiration from the gypsy culture he is determined to preserve. This is an intimate portrait of a filmmaker with a passion for her subject, and a punk musician with a longing to revisit his past. Theirs is a journey which tests their relationship and challenges their perceptions of the music they both love.